But but but … if there is no human-sized hole, what is the pole doing there at all?
I did find out from a search* that there is a (supposedly) common idiom “money for old rope” meaning something like “easy money”. That doesn’t explain what it’s doing here, really.
Also, is the setting at Sartre’s more meaningful or decorative?
(*And that professional etymologists don’t much like the folk etymology about shipboard use of rope to caulk gaps in wood planks.)
“Hell is other people” Department
(This one below not a CIDU; more of a LOL.)
When I was saving and then posting the Lard above, I thought the Sartre’s store was one of their fairly frequent locales; but I didn’t find one, on a quick backwards scroll thru the recent archive. Fine, so I treated it as unusual and made it part of this post’s title. And then a couple days later they give us this:
Did they slip up here on legal knowledge? Is this a criminal or a civil proceeding?
Why do I want to call this an Oy that almost works? The fact that there really is something called a hiatus hernia (or apparently more officially a hiatal hernia) does not, for me, make this a success — it’s too much “on the nose” and not a typical Crankshaft malapropism. And I don’t know if it helps or hurts that, as a little medical googling seems to reveal, bad lifting is more likely to result in an inguinal hernia than a hiatus hernia.
But the main issue is casual acceptance of hiatus as a general synonym for time during the covid lockdown. I don’t doubt some people use it that way, but mostly it seems restricted to an organization or project where some ongoing process had to be suspended.
This Bizarro from Boise Ed is a semi-CIDU. We agree the nickname mentioned must be “BigFoot”. But then how have normal size eight footprints been called Big for these many years? Or is he just among the first of his species to accept socialization with humans, and is younger or simply smaller than most of them? Does he always go on TV in the nude, or is that just to display his b̸i̸g̸ ̸f̸e̸e̸t̸ normal sized feet for discussion?
P.S. Later (how time flies), Wayno’s blog for that week has appeared, and this is what he had to say: “If Sasquatch were being completely honest, he’d admit that he’s an eight extra wide.”
And more: Dan Piraro, on his blog, comments “This one left some readers scratching their heads and asking what it meant, which made it all the more satisfying for those who got it by themselves. If you’re having trouble with it, it’s probably because you think it’s a monkey. It’s actually Bigfoot, who is not as tall as we’d assumed.” Hmmm, not entirely explained; or is it?
For me it was a mystery who/what that Thing is, but getting an answer turned out too easy to let this be a standalone CIDU. But after answering that, there wasn’t much of a joke, and asking for explanations didn’t promise a long or interesting discussion thread. (But I did toss it into an old Sisyphus thread.)
So the cave painters recorded the story of a hunt; and also one of the cave dwellers being felled by a falling stalactite. Oh look, there it is, the base still hanging from the ceiling and the fallen point still lying on the ground. And undisturbed after all this time – while the probable skeletal remains have been scattered or swept up. So the joke is what?
And here’s one from Le Vieux Lapin, who asks “Adam? What am I missing here?”. Did the writer just get Noah’s name wrong? Nobody could do that. And Todd is no better a name for a scene like this. Just sayin’, It’s not canon!
And finally, let’s circle back to Pros & Cons:
(All right, I didn’t know their names but looked them up.) In the 2nd panel, when Samuel the lawyer calls himself a canary in the coal mine, is he using the image / metaphor correctly? I think basically yes, even if not entirely. (Does he expect to succumb to the dangerous outgassing sooner than others, and thereby provide a warning to all? Not exactly.)
And in the final panel, when detective Stan tries a twist comeback, does it work? Well, we get what is probably his point — *everybody* exposed to social media is already suffering from the dangerous atmosphere. But does that mean they/we are all canaries? Or that it’s too late for a canary-warning and it’s already hurting the miners, which is all participants. In the story of the traditional practice, even if you are a bird lover, the canaries are the sacrificial population and the miners are the protected population; if the gas is getting to the miners, the warning system has already failed, which I take it is most of Stan’s point.
From Le Vieux Lapin. From the style of the books on the shelves I’m taking this character to be a lawyer. But perhaps in the role of an HR officer?
And where is the client? Maybe right there on his desk!
Sent by Chemgal, who says “It’s often out there, but this SMBC has me stumped”
And the bonus panel:
I’d venture that the advice in the bonus panel is meant as a variation on the (ahem) traditional “Try turning it off and then on again.”
From HarveyH, who asks “Is he trying to figure out which bathroom to go to? What’s the joke?”
I think yes, to start with, he is trying to choose which one to use. So I thought this was trying for a statement on some contemporary sociopolitical issues. But then it turns into weird physics? The sign on the left keeps changing, and may reflect what happens in the room on the right; which is some kind of void or wormhole? I dunno, is that what you see too?
Okay, I get the individual nominated items. But what is the “plot”, what happens at the end? I figured Girl’s offer meant she was going to prepare something more anodyne, but … did she?
From Brian in STL:
A choreography that some of us are very familiar with! But what is that remark at the end?